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GB/T 41283.1-2022 English PDF

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GB/T 41283.1-2022: Acoustics - Soundscape - Part 1: Definition and conceptual framework
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Basic data

Standard ID GB/T 41283.1-2022 (GB/T41283.1-2022)
Description (Translated English) Acoustics - Soundscape - Part 1: Definition and conceptual framework
Sector / Industry National Standard (Recommended)
Classification of Chinese Standard A59
Word Count Estimation 9,932
Issuing agency(ies) State Administration for Market Regulation, China National Standardization Administration

GB/T 41283.1-2022: Acoustics - Soundscape - Part 1: Definition and conceptual framework

---This is a DRAFT version for illustration, not a final translation. Full copy of true-PDF in English version (including equations, symbols, images, flow-chart, tables, and figures etc.) will be manually/carefully translated upon your order.
Acoustics - Soundscape - Part 1.Definition and conceptual framework ICS 17.140 CCSA59 National Standards of People's Republic of China acoustic soundscape Part 1.Definitions and Conceptual Framework (ISO 12913-1.2014, IDT) Published on 2022-03-09 2022-10-01 Implementation State Administration for Market Regulation Released by the National Standardization Administration directory Preface III Introduction IV 1 Scope 1 2 Normative references 1 3 Terms and Definitions 1 4 Conceptual Framework of Soundscape1 4.1 Overview 1 4.2 Scenario 2 4.3 Sound source 2 4.4 Acoustic Environment 2 4.5 Auditory perception 2 4.6 Understanding auditory perception 2 4.7 Response 2 4.8 Effect 3 Reference 4

foreword

This document is in accordance with the provisions of GB/T 1.1-2020 "Guidelines for Standardization Work Part 1.Structure and Drafting Rules of Standardization Documents" drafted. This document is part 1 of GB/T 41283 "Acoustic Soundscape". GB/T 41283 has published the following parts. --- Part 1.Definitions and conceptual framework. This document is equivalent to ISO 12913-1.2014 "Acoustic soundscapes - Part 1.Definition and conceptual framework". This document adds a chapter "Normative References". Please note that some content of this document may be patented. The issuing agency of this document assumes no responsibility for identifying patents. This document is proposed by the Chinese Academy of Sciences. This document is under the jurisdiction of the National Acoustic Standardization Technical Committee (SAC/TC17). This document was drafted by. Northwestern Polytechnical University, Zhejiang University, Tongji University, Chongqing University, Institute of Acoustics, Chinese Academy of Sciences, Zhejiang Science and Technology College, Guangdong Qiyuan Architectural Engineering Design Institute Co., Ltd. Acoustics Branch, Shanghai Institute of Environmental Sciences, Shanghai Jiaotong University. The main drafters of this document. Chen Ke'an, Zhai Guoqing, Mao Dongxing, Yu Wuzhou, Xie Hui, Li Xiaodong, Yang Jun, Lv Yadong, Li Zhengguang, Luo Qinping, Zhu Wenying and Jiang Weikang.

Introduction

Soundscape research has a long history [1~5]. Due to the differences in soundscape research in different regions and different disciplines, its definition and purpose Marked with a variety of viewpoints. Therefore, the use of the term "soundscape" has its particularity and ambiguity [6]. The purpose of this document is to achieve a broad consensus on the definition of "soundscape" so that Communication provides the basis. The concepts of "landscape[7]" and "soundscape" have similarities, both of which are based on human perception. This document considers the soundscape as a Phenomenon-related perception concepts. This document distinguishes a perceptual concept (soundscape) from a physical phenomenon (acoustic environment), arguing that soundscape exists in Human perception of the sound environment. There are many related contents of soundscape, which are divided into 4 parts according to different aspects, namely. --- Part 1.Definitions and conceptual framework. The purpose is to give the definition and connotation of "soundscape". --- Part 2.Data collection and reporting requirements. The purpose is to specify the requirements for data collection and reporting in soundscape studies, investigations and applications. Requests and supporting information. --- Part 3.Data analysis. The purpose is to give guidelines for the analysis of the data obtained in Part 2. --- Part 4.Design and Retrofit. The purpose is to give guidelines for soundscape design and renovation. acoustic soundscape Part 1.Definitions and Conceptual Framework

1 Scope

This document provides the definition and conceptual framework of soundscape, and explains the measurement, reporting and soundscape planning, Various factors related to design and management.

2 Normative references

There are no normative references in this document.

3 Terms and Definitions

The following terms and definitions apply to this document. 3.1 soundsources Natural or man-made sounds. Note. See reference [6]. 3.2 acousticenvironment The sound produced by all sound sources arrives at the receiving point after being altered by the environment. NOTE. The acoustic environment can be actual or simulated, outdoor or indoor, experienced or in memory. 3.3 soundscape soundscape The acoustic environment that is perceived, experienced or understood by an individual or group of people in a situation.

4 Conceptual Framework of Soundscape

4.1 Overview Figure 1 describes the process of perceiving, experiencing, and understanding the acoustic environment. It highlights seven fundamental concepts and their relationships. (1) Field (2) sound source; (3) sound environment; (4) auditory perception; (5) understanding of auditory perception; (6) response; (7) effect [6,8~10].

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